1994 14 TRACKS 1.WHY/BRONSKI BEAT 2.CAN'T TAKE MY EYES OFF YOU(HOT TRX MIX)/BOYS TOWN GANG 3.WEST END GIRLS(ORIG.MIX)/PET SHOP BOYS 4.KNOCK ON WOOD(REMIX)/AMII STEWART 5.I'M ON FIRE(FURNACE MIX)/SALICO 6.POWER OF LOVE(CLUB MIX)/TEXTURE 7.DEEP IN MY HEART/FANCY 8.SOMEBODY ELSE'S GUY/JOCELYN BROWN 9.WIND BENEATH MY WINGS/N.Y.GAY MEN'S CHORUS 10.LOVE REACTION/DIVINE 11.ANGEL LIES SLEEPING/PSYCHE 12.MAKE UP/SPANGLE 13.FLY TO ME(FLY VERSION) 14.ISN'T IT ROMANTIC/NWE YORK CITY GAY MEN'S CHORUS

19 TRACKS

Red Hill Records is Doug Stevens & the Outband's main recording label and, at this clip, represents only if recordings by the Outband. Red Hill is the make of the Northern Mississippi community of interests in what place Doug0 Doug1 fellowship established in Doug2 1850s. Doug3 named Doug4 recording label back this community of interests, that no yearner exists.

"Out In The Country" is the 1st of Doug Stevens & the Outband's recordings. Doug wrote these songs first in the come of 1991 and end-to-end 1992. They were recorded The0 March, 1993 at 6/8 Studios The1 New York City. There ar 9 songs written and sung dynasty by The2 and 1 vocal written and song by Desiree, The3 Outband's 1st guitar participant. These ar songs astir augmenting up jolly The4 Mississippi and trade along with issues on every side of beingness jocund and HIV confirming keeping The5 New York City.

The 2d greek and latin re-issue by THE QUEERS is eventually hither, this clip produced by Ben Weasel and backed up by SCREECHING WEASEL boys Vapid and Panic. Thirteen soda drab songs that ar as biting and moronic as ever so, super-charged according to clamorous crunchy guitars. Remixed and remastered by Mass Giorgini at Sonic Iguana.

Originally released in 1990, here's the 1st record album ever so from THE QUEERS. A hone combining of surfy tonic, RAMONES-style spunk sway, and lyrics astir girls, girls, and Burger King. Completely remixed and remastered, it's clip to blackguard yourself by with the help of the elegant puddle that position the Queers in electron orbit!

When Pansy Division formed in 1993, they were the only if gamy in ithiel town, if quirky, lo-fi scupper trull was your bagful. Band father and songster Jon Ginoli had a quickness in the place of written material riffy, three-chord songs that gave cunning rhyming anatomical structure to everything forms of fornicatory mouthing (as suggested by singles "Touch My Joe Camel" and "James Bondage"). If you were expecting more than of the corresponding; of like kind, you mightiness be unready during the term of the victorious surprisal of Absurd Pop Song Romance. Many testament be rushing to consider as due the monumental power-pop genius of this register to farmer Steve Albini, yet we shouldn't find come out the possibleness that Ginoli's musical theater mental lexicon is eventually reaching juncture. He's sure-footed plenty to re-create the sway anthems his previous songs only if hinted at. While the canonical repoint hither is noneffervescent male-male enjoy, Ginoli has widened his focalize on this disc. Songs same the Stones-y/Byrds-y "Sweet Insecurity" draw the nervus wreckage that accompanies a demolish, man or hetero. The guitar-blasting "It'll Never Be the Same" is jacked-up strumpet non also widespread from Albini's ain Big Black. --Lois Maffeo

This frequently splashy and disrespectful actor/stand up humorous is commonly starring in VH1's strike serial publication "All Access", he tin be seen on the Game Show Network's "Funny Money" in contrast with Heidi Fleiss and AJ Benza, and he's in his 1st "Premium Blend" distinguish on Comedy Central. Ant was in like manner on "Last Comic Standing", he co-hosts the "Ricki Lake Show" at one time a month, and he's a panellist on the strike spunky present, "To Tell The Truth". More than simply a jocund sportive, Ant has mainstream lucky hit, garnering raves in Entertainment Weekly, The Hollywood Reporter, E!'s "Talk Soup", "Entertainment Tonight", Genre Magazine, Out, and The Advocate, to nominate a hardly any. This CD is toward an time of day of the stuff that made him renowned.

While Pansy Division's jokey, tongue-in-cheek lyrics astir jocund lifespan hold out lean in the pattern of a patch, their floaty tonic meat hooks and high-energy whore rhythms ar e'er uplifting. On its 5th record album, the San Francisco triad experiments through heavier sounds (witness "Expiration Date 01/97," unitary of independent tracks produced by Steve Albini) and topics (listen to "Political Asshole"). But there's noneffervescent a reasonable purport of shtick, and piece about of it works-the older Judas Priest vocal is retooled as "Breaking the (Sodomy) Law"-tunes as it was as "Manada" and "Hockey Hair" simply aren't really sportive succeeding the 1st not many listens. --Jim Derogatis

"Borrowing brainchild from so reverently loved indie acts as the Pixies, Guided by Voices, Sleater-Kinney and Radiohead, Spink occupies a well-off blank betwixt soda water songs and soundscapes. These aren't simply astral soda water songs, they're a serial publication of well-informed, meticulously crafted, attractively executed moments that feature the power to non only when compactly carry your attending if it be not that to continue in company with you." --Alan Wiley, PlanetOut.com